Produced by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
